Those of you interested in the poissard tradition will be intrigued to learn (as I was) that Empress Joséphine had a certain connection to the humble women of the marketplace. As seen in this English engraving, not only was she depicted as a child of the land (“A planter’s daughter”), but even when she ascends the social hierarchy she is still labeled a “Loose Fish” (bottom left). Another print of 1805 by Gilray represents an obese Joséphine as having “ci-devant poissardes” as her bridesmaids.
This tantalizing print and excellent background material are found in Joséphine, exposition présentée au Musée du Luxembourg du 12 mars au 29 juin 2014 (Paris: Musées nationaux, 2014), 20-21.
Anybody else out there interested in the history of the Directory period (1795-99)?
I have posted calls for papers at the ASECS conference in Los Angeles (March 19-21, 2015), and the American Comparative Literature Association conference in Seattle (March 26-29, 2015), and I’m open to proposals!